My practice explores painting as a space of stillness, material presence and subtle change. Working primarily through abstract painting, I make works that hold attention on small shifts in surface, texture, tone and gesture.

Alongside this, I am developing a new body of work that considers painting without paint. Following my investigation into the possibility of a colourless painting, these works use glass, paper, light and reflection to question where colour resides. Shape and colour are treated as painterly elements, without being applied in the traditional sense. Coloured glass becomes a form of pigment, while its transparency and the changing light around it allows the work to shift over time.

Rather than moving away from painting, this work expands its terms. It asks how colour, form, surface and composition can continue to operate as painting when paint itself is absent.